Wednesday, March 18, 2020

History of the book Emma by Jane Austen essay part 2Essay Writing Service

History of the book Emma by Jane Austen essay part 2Essay Writing Service History of the book Emma by Jane Austen essay part 2 History of the book Emma by Jane Austen essay part 2History of the book Emma by Jane Austen   essay part  1According to Neil Wenborn, â€Å"despite a proliferation of editions from the early years of the 20-th century onwards, R.W. Chapman’s edition of Emma, published by the Clarendon Press in Oxford in 1923 and reprinted at intervals since, remains the standard scholarly edition† (35). R.W. Chapman states that Jane Austen avoided the depiction of deep feelings (Chapman 6).In Lionel Trilling’s edition of the novel Emma, the editor provides the essay â€Å"Emma and the Legend of Jane Austen† that can be found in the introduction section of the riverside edition of the novel issued on 1957 in Boston. He states that in Emma, the author uses the genre of the so-called â€Å"intellectual idyll†, which has been identified by many critics, including Schiller. According to Lionel Trilling, Jane Austen is aimed at exploring the limits of intelligent lov e relationships and the conception of human interactions, which was described by Plato and Socrates (12). In his later collection Beyond Culture, he continues to explore Emma as a unique literary work, including his essay on Jane Austen’s criticism. He believes that Emma is aimed at teaching people, although he characterizes it as â€Å"a very difficult novel† (Trilling 12).  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Stephen Parrish’s edition of the book Emma was published in 1972. In this edition of the book, there is much bibliographical information. Stephen Parrish is focused on numbering the chapters from one to fifty five as it is a newer edition of the book, while older editions were based on the original text of the author, which restarted the numbers of the chapters at one with the beginning of each of the three books or volumes of the novel (Parrish 3).  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   In addition, the novel Emma was edited by Fiona Stafford in 2008. The book was edited with a comprehensive introduction by Fiona Stafford, providing much important information on the novel. This edition includes a chronology and additional suggestions for enhancement of the further reading of the novel (Stafford 3).  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Jane Austen’s talent was concluded in the ability to skillfully use free indirect speech combined with irony. She became one of the most influential and highly honored novelists not only in English literature, but also in World Literature. It has been found that in modern day culture, Jane Austen’s novels and the details of her personal life have been used as source for adaptation in films and theatrical productions. Thus, there are many adaptations for films and theater. Some of the recent adaptations based on the novel Emma were a great success with the public. Olivia Williams depicted Jane Austen in the BBC drama Miss Austen Regrets, which came out in 2007. Anne Hat haway portrayed a young Jane Austen in the film Becoming Jane which was produced in 2007. In 2010, Emma was used in a stage adaption by Michael Bloom at the Cleveland Play House, Ohio. In 2012, Emma was used as a stage adaption by Dr. Vicki Ooi of the Absolutely Fabulous Theatre Connection in Sai Wan Ho, Hong Kong.  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The adaptations of Jane Austen’s Emma appeared not only in the UK, but also in the United States and other countries of the world. For example, â€Å"between 1970 and 1986, seven feature-length films or television miniseries, all British were produced based on Austen novel, in the years 1995-1996, however six additional adaptations appeared, half of them originating in Hollywood and the rest influenced by it† (Troost Greenfield 1). The advertising of films was based on the established Hollywood traditions. The researchers are interested in the way Austen’s novel Emma influence contemporary film productions, providing criticism of some elements of the plot, which leads to depiction of social inequality (Troost Greenfield 12). Practically all Austen films produced in the middle 1990s, like the novel Emma, provide ironic representation of romantic love and the reality of women’s lives. According to researchers, Jane Austen can be viewed a heroine of our times because she was a feminist with strong personality traits:Having all come out almost at once, and being aware of that, they direct themselves at audiences equally aware-people who have read about the films and the stars in newspapers and magazines, which also feature articles about what it means that Jane Austen is the heroine of our moment (Troost Greenfield 19).As irony is the major feature of our times, Austen’s novel Emma helps people to better understand the meaning of ironic ads, ironic articles, ironic poems, ironic sitcoms and other works that are produced today. Irony is closely connected with the expression of freedom. Although Jane Austen is considered to be a Romantic writer, she effectively uses irony to express herself (Haggerty 89).   According to researchers, Jane Austen is â€Å"a satirist or a novelist detached by definition from her society, and therefore, able to change the way readers see the world† (Troost Greenfield 19). However, it is necessary to understand the difference between the irony presented in the novel Emma and the irony of present day film adaptations. Today irony does not mean â€Å"saying one thing and meaning another† (Troost Greenfield 20). Austen’s irony is based on morale, while modern irony does not acknowledge morale. Austen’s novel Emma depicts simple form of morale. As a result, many film adaptations â€Å"have a single obvious, reiterated moral: that lovers deserve to enjoy one another, as viewers deserve to enjoy movies† (Troost Greenfield 20). Emma, the main character of Austen’s novel, was a beautif ul woman, but who was reluctant to marriage and family ties:She always declares she will never marry, which, of course, means just nothing at all. But I have no idea that she has yet ever seen a man she cared for. It would not be a bad thing for her to be very much in love with a proper object. I should like to see Emma in love, and in some doubt of a return; it would do her good. But there is nobody hereabouts to attach her; and she goes so seldom from home (Austen 22).One of the criticisms of the novel Emma is â€Å"formalist criticism† that is considered to be a â€Å"universal method† of skeptical commentators.   According to Frances Ferguson, the novel Emma helps to reveal different critical interpretations. In fact, these interpretations can be reflected in film adaptations. Ferguson’s analysis of Emma’s criticism highlights the role of formalist criticism, which demonstrates different ways, in which different readings and interpretations of the l iterary work have become the â€Å"subject of critical enquiry† (Ferguson 159). As a matter of fact, the language used by the critic is different from other critics’ essays on Emma, e.g. Tilling’s essay. Frances Ferguson is focused on the significance of the opinions, which relate to the novel Emma. Frances Ferguson’s criticism influenced the opinions of other literary critics, including contemporary critics. Gard Rogers is one of critics who discuss the role of Austen’s characters, including Emma, in film adaptations. In his essay â€Å"A few skeptical thoughts on Jane Austen and film†, he states that Austen’s novel Emma is appropriate for camera because films â€Å"use music to suggest, reflect and enhance emotion, often quite potently; and dialogue can be lifted straight from the text to specify dramatically† (Rogers 10).  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Today, the novels written by Jane Austen can be found at the top of the list of the classic bestsellers. According to researchers, the international sales of books written by the English writer contribute to the increased rate of television and film adaptations. One of the well-known film adaptations is the â€Å"1996 Miramax blockbuster Emma, written and directed by Douglas McGrath and starring Gwyneth Paltrow as the heroine Austen† (Wenborn 36). The popularity of the English writer can be explained by Jane Austen’s naturalism in style of writing and in other elements of literary work. According to Thomas Henry Lister, the well-known novelist of the 19-th century, who used to write much about Austen and her novels, she â€Å"has never been as popular as she deserved to be† (qtd. in Wenborn 36). The novel Emma has become the subject for many other adaptations, including film adaptations (e.g. 1995 Clueless; 2010 Aisha), TV adaptations (e.g. 1948 Emma, live BBC TV broadcast, directed and produced by Michael Barry; 1954 Em ma, live NBC TV broadcast; 1960 Emma, live CBS TV broadcast; 2009 Emma, BBC miniseries, and some other TV adaptations) and several stage adaptations (e.g. 1991 Emma, a stage adaptation by Michael Fry; 2000 Emma, a musical by Stephan Karam; 2007 Emma, a musical by Joel Adlen; 2010 Emma, a stage adaptation by Michael Bloom and many other works). The film Aisha is a modern adaptation of the novel Emma produced by the Indian film company. Aisha is represented in the form of a romantic comedy film. The film was directed by Rajshree Ojha, starring Sonam Kapoor and Abhay Deol. This film adaptation points out to the fact that Jane Austen is highly acclaimed not only in the UK and the United States, but also in India. The plot of the novel can be applied to all times and generations (Wiltshire 111). According to Penny Gay, Jane Austen’s novel Emma reflects many scenes that resemble plays; therefore recent film and television adaptations have shown â€Å"how naturally dramatic her sto ries are† (3).  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Although the novel Emma has never been acclaimed as the most popular novel of Jane Austen’s works, many literary critics and scholars would agree that Emma may be regarded as the best literary work of the author â€Å"from the point of view of literary achievement†, which combined all the elements of Austen’s writing style, including irony, realism, morality, characterization, narrative style and tone. Today the novel Emma remains in print. Almost two hundred years people enjoy Austen’s writing, discussing the themes reveled in the novel and making conclusions reading the meaning of life, marriage and friendship. According to Laura M. White, Jane Austen’s Anglicanism reflects her engagement with the world of reality and romanticism. The novelist highlights the role of the cosmos and human nature (White 23). Although many readers are focused on projecting postmodern perspectives in the work Emma by Jane Austen, as she tends to reflect their own times, beliefs and values, Laura M. White argues that it is necessary to view Austen’s Anglicanism â€Å"through the lens of primary sources of the period, including the complex history of the Georgian church to which Austen was intimately connected all her life† (3). This approach helps to better understand the central conflict that existed between â€Å"Austen’s malicious wit and her family’s testimony to her Christian piety and kindness† (White 3).  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Thus, it is necessary to conclude that the novel Emma by Jane Austen has influenced popular culture, as well as literature. Although the book is over a century and a half old, it has an enormous impact on readers today. The themes discussed by the author and the unique writing style provide an opportunity to have a better understanding of women’s desires and social response to feminist issue s (Debb 95). The novel Emma continues to be read by different audiences. Millions of people enjoy the novel and place emphasis on the critical responses provided by experts, literary critics, and everyone who loves literature. There are many critical essays, which represent impressive interpretations of Jane Austen’s novels. Actually, these critical essays and film, TV and scene adaptations â€Å"provide an emphatic testimony to Austen’s continuing importance and the ever-increasing pleasure afforded by Emma†(Stafford 30).

Monday, March 2, 2020

17 Proofreading Techniques for Business Communication

17 Proofreading Techniques for Business Communication Finally. Your document is just about complete. It’s been written, reviewed, compiled, and re-reviewed. With the final edits in place, it’s now ready to be proofread. Proofreading can seem like a simple task in business communication. However, the attention to detail and intense focus it requires means that proofreading is as challenging as it is important. However, there are many tactics you can use to ensure this task is completed well and effectively. This article highlights our top strategies. Why is Proofreading Important? Proofreading can help you improve the readability and quality of your documents. It is important to ensure that your writing is error free and professional. What is Proofreading? Proofreading includes reviewing for grammar, correct use of language, and format. It’s the final touches needed to ensure a business document is correct, consistent, and professional. When Do I Proofread? Proofreading is often confounded with editing. Editing involves revisions of the document, often with major changes, to ensure alignment with goals, accuracy of information, or modification of tone. Only once those major edits are complete can the document move to the proofreading stage. Proofreading ensures the final content is free of linguistic and formatting errors. 17 Proofreading Techniques: The following list presents the strategies we recommend for better proofreading. These methods strengthen your proofreading process and knowledge. 1. Step Away, Then Focus Whenever possible, step away from the document before proofreading. This is crucial when you are the document’s author. You are too close to the content, making it difficult to have a clear, objective eye on the text. We recommend taking a 24-hour break from the content before proofreading for maximum effectiveness. 2. Print a Hard Copy Proof of Your Document Many editors find it easier to proofread with a physical document. Printing the document makes it easier to read and allows you to proofread in more places. 3. Read Aloud Good proofreading is done slowly. Simply reading it normally allows your brain to fill in gaps and fix errors in your mind and skip them on the page. Reading aloud ensures that each word and punctuation mark is verified. It also highlights awkward sentences because it will sound more awkward out loud than on the page. Conveniently, there are online programs that will help with this task. Use your computer’s text-to-voice function to have your document read to you. Having your computer read to you will help catch typos that you may skip over as you know the original intent of the sentence. 4. Align With Company Style Standards Most companies have style standards for external documents. Ensure you have these guidelines close at hand while proofreading. These guidelines may range from font choice to preferred spellings to margin size and more. These details ensure consistency across an organization. 5. Remove Excess Words Business writing is concise and direct. Excess words, like adjectives or adverbs, can detract from the message. Being careful not to overstep into editing, review the text for superfluous words that do not add value to the text. In addition, accidental excess or repeat words are erroneous and can be missed prior to proofing. 6. Explain or Remove Jargon Specialized terminology or acronyms should be used sparingly, if at all, in business writing. When used appropriately for the reader, they still must be explained. Generally, the first mention of an acronym is spelled out completely with the acronym followed in brackets. An unfamiliar technical term should be explained in the text before being referenced. Terms that are difficult for the reader should be removed and replaced with more accessible wording. 7. Check Sentence Structure A proper sentence must have a subject, a verb, and express a complete thought. Simple, right? Yet, sentence fragments and run-on sentences can sneak into an otherwise great text. Review each sentence for proper structure and punctuation. 8. Review Flow and Sequencing One pass of the document must be a high-level review. This overview checks the organization of the document to ensure it has proper flow and sequencing. Check for formatting consistency, order, and numbering of images, tables, and appendices, and the general presentation. 9. Use Software Technology is your friend when it comes to proofreading. Microsoft’s Spelling and Grammar tool and Grammarly’s online editor are two handy tools to catch spelling, grammatical errors, and some syntax errors that your spellcheck may miss. Use these tools as a first scan. They will catch detectable errors. However, word choice and homonyms are often only found by the human eye. You can check out our list of the top tools for tone, editing, and grammar (among others business writing needs!) on our blog. 10. Hire an Editor or Ask Colleagues/Friends If you’re way, way too close to your document, proofing it yourself may not be a good idea. In this case, seek a truly objective opinion and review. Hiring an editor to complete the proofreading phase can be a valuable investment. Alternatively, asking a friend or colleague to proof your text can provide a fresh perspective. 11. Take a Course Proofreading is a skill that is learned, honed, and improved. Like many other writing aptitudes, proofing can be developed through education. Taking a course on proofing will help you master the process. We offer a Proofreading Course with Grammar Review that hones the skills required to effectively proofread in a business environment. Avoid Common Mistakes These tactics will help you catch the trickiest business communication errors. 12. Check Homonyms When a word sounds right, the quick reader can mistake it for being correct. Homonyms are a painful but important item to check. Including accept where except is intended can be embarrassing or even disastrous in business communication. Ensure the word choice is the correct one. 13. Check Apostrophes Apostrophes are often placed incorrectly. Apostrophes are almost never used for plurals, but somehow they often appear as such. While mixing up companies with company’s may not be disastrous, it is confusing and unprofessional. 14. Fact Check Employees, colleagues, and clients rely on business communications for information and decisions. Therefore, they need to be accurate. Whether it is the client name spelling, the sales division location, or the policy sheet, each detail must be correct. Fact checking these details will ensure the document is valuable and useful. 15. Verify Numbers, Times, and Dates Numerical information is often the most critical and the easiest to mistype. Each number must be verified. A misplaced decimal or zero in a budget line can be a grievous error. Times should be checked that they are correct, including the time zone. Dates must be correct to the day of the month and the week. Triple checking the numbers is not an over-the-top habit. 16. Verify Names Writing a staff’s, colleague’s, or client’s name incorrectly or completely wrong is simply disrespectful. It can lead to confusion, but more importantly, it shows poor attention to detail to the most important people: the reader or subject of the business communication. 17.Test Hyperlinks and Phone Numbers Website and phone numbers are very handy. However, they become very frustrating or ignored if they are incorrect. In the proofreading process, click on each hyperlink, type in each web address, and dial each phone number included in the document to ensure they will correctly direct the reader. Fool-Proof These seventeen strategies will improve your proofreading skills. Carve out the time to properly review and implement each of these strategies and your business communication will be accurate, valuable, and professional.